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Ancient Astronauts
Flaming Shields, Chariots of the Gods
Flying Saucers, Spacesuits, Delta Wing Jets and Ray Guns
depicted on everything from cave walls to ancient Egyptian temples - all surviving eyewitness accounts of UFO sightings in our most ancient past. |
Reports of unidentified flying objects appear even in our most ancient historical records.
For anyone looking at the most ancient primitive cave drawings and petraglyphs ~ it seems impossible now to take them for anything other than technology. Could travelers from outer space have visited this planet long ago?
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Carved in Stone
The ancient world occasionally speaks to us of strange things that the primitive people of the time attributed to The Gods.
From the Nazca Lines of Peru to ancient aircraft of Egypt and India known as Vimanas;
from the enigmatic and symbolic petraglyphs of Ancient America to the pantheons of European and Mediterranean gods;
nearly every ancient culture, on every continent yet explored - it seems that every civilization in the world was at one time or another touched by beings from above.
As mankind evolves and advances in technology, we are now becoming somewhat familiar with many of the things that obviously impressed our ancestors. We know that we are not gods, but what would ancient peoples think of most of the things we take for granted today? Would your ability to read evoke jealousy from their most revered scholars? Would a disposable lighter or ball point pen get you burned as a witch? And what would they make of your palm pilot - or for that matter, a harmonica? The two figures depicted in rock-art at Val Comonica, in Northern Italy (above right) easily appear to modern observers to be a literal and accurate representation of modern astronauts. Their bulky suits come complete with space helmets, and each are holding decives of some sort; one of their tools even looking remarkably like a sextant. This particular site is a perfect example, and is featured in the groundbreaking 1968 book Chariots of the Gods, by Erich Von Daniken - but is only one of so many found throughout Europe, Asia, Africa and the Americas; all associating the Gods with the stars, and other things which we modern humans today file under the same heading: space technology. Could this primitive depiction of a space helmet have been a primitive precursor to what we modern humans know as haloes? Could all of the world's religions all have a root in these ancient gods who came down from the sky? For millennia, the absolute authority on the beginning of everything was the Bible - specifically, the book of Genesis, which tells us the order in which creation began to express itself: first minerals, then plants, then animals. This is something that the ancient scribes simply could not have known, if we are to remember them as truly primitive - tribal hunter gatherers, barely farmers - technologically barren, possessing little more than fire and the ability to write stuff down. Perhaps God emparted this simple itinerary to His chosen scribes, but one of the first things to pop into existence is said to have been Light itself - which seems to also ring very true, as it turns out, according to modern quantum physics, we're all made of stardust. The only question remaining is, of course, from which particular star's dust have we been thus assembled? Modern fundamentalists have retranslated the biblical "light" as, or into, "the word" or "truth" - often meaning "the existence" or "the reality" of God. This also follows advanced scientific theories that the prime foundation of existence (time, matter, and the very fabric of dimension) are fractal, and vibrations: made up of infinite combinations of (put very simply) something and nothing - as in binary code, a sequence of ones and zeros. A parallel can also be drawn from New Age philosophies, which often contend that all is illusion. For all our fumblings, we have advanced, and perhaps evolved, to the unenviable point where we now know that there is very much that we do not know - and there is a great deal that we will likely never be able to fathom, but we can still dream and imagine - and we are at least able to measure our perception of what we perceive to be time and space. So far, among other things, we have measured the size of the Earth and distance between Earth and the Sun - very specific values and ratios that are found in multiple archaelogical sites around the world, where also emanate legends of gods who came down from the sky. |
Gods of the Sky
The famous Helicopter Hieroglyph found in the Temple of Abydos, in Egypt, is another prime example of highly advanced technology represented in ancient art.
Abydos was originally owned and operated by ancient Egyptian kings - first by Seti I, then Ramesses II (around 1200 BC).
Inside, the ceiling support beams of one chamber contain many inscriptions,
a certain famous four of which have stunned paranormal researchers, taken the "faithful" by storm, and seem even more out of place.
At first glance, these ancient Egyptian heiroglyphs appear to depict aerial technology - namely (amazingly), a helicopter, a submarine, a UFO and a WWII style airplane.
On second glance however, it seems painfully obvious that the image must have been faked, as they show show a more bronze color than the native sandstone
- but this is actually a simple image enhancement technique (not trick), used to show more contrast in the relief.
The dark gold coloring of the highly circulated internet image may also be an artifact of original scanning, depending on the source (as from a magazine or video screenshot).
The image has been altered again here (below, top image) to more closely approach the coloring of the actual sandstone.
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The first thing that grabs anyone who beholds this ancient stony text is the first glyph's uncanny resemblance to a modern military helicopter
like the Apache, Jayhawk and Blackhawk (below)
- carved meters in the air, near the ceiling of one of the most important temples of ancient Egypt.
That it should be immediately accompanied by glyphs resembling other examples of modern aerial technology
- all facing in the same direction, to the right - should be more than enough to completely rule out coincidence as an explanation.
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The glyph immediately to the right of the helicopter has been compared to a tank, a submarine, a small boat or cabin cruiser
- and even appears to some as Luke Skywalker's landspeeder, from the first Star Wars movie.
Directly below that curiosity is what most consider indisputably to be a classic UFO
- but given the non-symmetrical shape and added tail fin, eyes are widened to the possibility of an aircraft only slightly more advanced than we have today
(perhaps something still on the drawing boards, not yet given to public knowledge, as of this writing).
The profile is roundish, yet also shows what are possibly wings, resembling a NASA prototype for proposed space taxis,
(expected to be in operation by the middle of the 21st century) - or Commander Criton's shuttle pod, from Farscape, the popular science fiction TV show.
One almost expects, if such a craft ever existed, that it was armed with phasers.
The fourth icon, below the alleged UFO, seems at once to be a World War II vintage airplane, complete with high tail and bubble cockpit
- albeit without wings, or perhaps what the artist was depicting was partially submerged, in water or sand.
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Some speculate that this is
Philidelphia Experiment
Bermuda Triangle
citing evidence of paranormal events involving time travel, lending further support to theories of what may be the cause
of certain documented temporal and magentic anomalies experienced in the Bermuda Triangle.
Could the airplane symbol be one of the
famous Flight 19 that disappeared from the Bermuda Triangle in 1947?
While modern Egyptologists identify the heiroglyphs' message as telling us of a suppression of "the ennead of nine" and "foreign countries"
(these cartouches superimposed over each other), it cannot be ruled out that the
might have been the original inspiration for the design.
It seems a beyond chance that a character should exactly match the profiles of the tails of an airplane and helicopter.
What kind of king would be identified with such objects?
And what kind of king would have them erased?
While there certainly is significant crumbling and water damage around the ceiling and support columns
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text versions of this page coming soon but for now, just enjoy all the pictures or visit the original website for older text
UFOs
Flying Saucers � Mass Sightings Ancient Astronauts � Ancient Artwork Roswell � Area 51 � Alien Technology Conspiracy Theories � The Future |
Figurines |
Idols |
Cave Drawings
Planet Earth has had ongoing historical contact with extraterrestrials.
This interaction can been found in the oral traditions, written records, stone monuments and hierglyphs found throughout the planet.
Information left by the ancients about the visitation of extraterrestrials has appeared in almost every country in the world, including the United States. I consider this information, triggers, or keys, to helping us awaken the 'sleeping visitor' within each of us. Alexander the Great had two UFO encounters that were recorded. During his invasion of Asia in 329, while crossing a river, Alexander and his men saw what was described as gleaming, silver shields in the sky. The objects repeatedly swooped down at the soldiers, scattering men and horses and creating quite a panic. Seven years later, while attacking a Venesian city in the eastern Mediterranean, observers on both sides of the conflict reported another incredible event. Objects appeared in the sky. One of the objects suddenly shot a beam of light at the city wall, crumbling it to dust. This allowed Alexander's troops to easily take the city. |
UFOs | ||
Ancient Art �
Saucers �
Mass Sightings Roswell � Area 51 � Alien Technology Conspiracy Theories � The Future | ||